Director: Hirokazu Kore-eda
Writer: Hirokazu Kore-eda
DOP: Kondo Ryutu
Cast: Lily Franky, Sakura Ando, Mayu Matsuoka
Language: Japanese
A family of small time crooks take in a child they find outside in the cold. While they intend to return her home next day, the evidence of abuses on her body changes their mind.
It is the most un-Japanese Japanese films I have seen from recent times. Ozu made movies with ordinary characters and normal storylines but in general Japanese films that I tend to watch are normally out there. Over the course of the film we learn the nature of actual relationships between the members of this family and it is done in such a non-judgemental manner that we are left in a moral quandary. Which family we are born into is not something that we can choose and the film works on that theme. This film is begging to be remade in Malayalam because worries about child snatching is very real on Malayalee WhatsApp universe and it has even led to instances of harassments on suspicion. The film would be a subversion of that since characters from this social strata are often portrayed in such a binary fashion in films here.
It won Palme d'Or at Cannes last year and collected around $72 million worldwide, much of it from Japan itself and China. I haven't seen other films from the director and am intending to catch up on those. The two child actors in it are excellent. We are often given a portrait of Japan with all its kinkiness without going much into how those people actually feel and this film is an exception.
Rating: 4.25/5
Writer: Hirokazu Kore-eda
DOP: Kondo Ryutu
Cast: Lily Franky, Sakura Ando, Mayu Matsuoka
Language: Japanese
A family of small time crooks take in a child they find outside in the cold. While they intend to return her home next day, the evidence of abuses on her body changes their mind.
It is the most un-Japanese Japanese films I have seen from recent times. Ozu made movies with ordinary characters and normal storylines but in general Japanese films that I tend to watch are normally out there. Over the course of the film we learn the nature of actual relationships between the members of this family and it is done in such a non-judgemental manner that we are left in a moral quandary. Which family we are born into is not something that we can choose and the film works on that theme. This film is begging to be remade in Malayalam because worries about child snatching is very real on Malayalee WhatsApp universe and it has even led to instances of harassments on suspicion. The film would be a subversion of that since characters from this social strata are often portrayed in such a binary fashion in films here.
It won Palme d'Or at Cannes last year and collected around $72 million worldwide, much of it from Japan itself and China. I haven't seen other films from the director and am intending to catch up on those. The two child actors in it are excellent. We are often given a portrait of Japan with all its kinkiness without going much into how those people actually feel and this film is an exception.
Rating: 4.25/5
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