Creators: Baran bo Odar, Jantje Friese
Cast: Too many in different versions
Language: German
I stumbled upon this Netflix original show after seeing it being described as 'Stranger Things' for adults. I haven't seen Stranger Things and not really planning to. Dark is so fucking good that I binged it twice within eight days. If you're planning to watch it, I can't recommend it highly enough, go ahead and do it. Plenty of spoilers ahead.
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I can best describe the show as 'Twin Peaks+Predestination', on steroids. Twin Peaks because of its small town industrial setting, family affairs, haunting atmosphere and music. Predestination reference is quite obvious due to the time travel factor. The way time travel works in the series so far is in the "Harry Potter: Prisoner of Azkaban" mode (the best Harry Potter book by the way). What has happened can't really be changed. Whenever someone from future tries to influence things, they only help in aiding what has already happened inadvertently. So it doesn't take anything goes approach which can be quite disengenous if time travel is your main theme.
Story begins in 2019, the present for all intends and purpose, with shots of Jonas' father committing suicide. It ends with a boy disappearing in the woods near the caves which is again near the nuclear power plant which dominates over the small town of Winden. Boy's father is the cop Uhlrich, who's having an affair with Jonas' mother, Hannah. Jonas, suffering from post traumatic stress, discovers cave maps drawn by his father in the attic. Different characters in the story discovers the time travel possibility over the course of first season.
The time travel jumps in it is 33 years, a span over which solar-lunar cycle sync happens. So the time periods the series jumps to are 1986, 1953 and for a brief final seconds to 2052. It also has plenty of philosophic references including Nietzsche's musings about eternal recurrence which has a big overhang over its plotline. There is a love triangle in each of the time period: Helge-Claudia-Tronte in 1953, Hannah-Uhlrich-Katharina in 1986 and Jonas-Martha-Bartosz in 2019. It doesn't make a big deal about the twists that come along the way, all of which are pretty much guessable before they are revealed mainly because of the good job they have done with the casting of same characters from different time periods.
Based on the missing pages in Claudia's diary, I have a theory that many of the characters in 2019 are different versions of same people from past and future. Noah is Bartosz grown up and there is some mystery left around from where/when Alexander turned up. His real name Boris suggests some Russian connection, probably Chernobyl, and his surname Niechwald could be a reference to his parents from Nielsen and Kahnwald families- Jonas & Martha? On first watch I ended up with the obvious conclusion that Noah is the villain/dark and Claudia is the light. But on re-watch, I am not that sure especially because of the reference to our propensity to think in terms of duallism. The re-watch is so rewarding and you can see how well the show is edited, with recurrences offering it ample scope to place scenes together. It is masterful storytelling and I can't wait for the second season, which is currently in production.
"You are free with regards to what you can do but you are not free with regards to what you can will"...
PS: I am now more familiar with the family trees in Winden than my own.
Rating: 5/5
