Saturday, September 22, 2018

വരത്തൻ (Varathan) (2018)

Director: Amal Neerad
Writers: Suhas-Sharfu
DOP: Little Swayamp
Cast: Fahadh Faasil, Aishwarya Lekskmi, Sharafudeen
Language: Malayalam

NRI couple, Abin and Priya, moves back to latter's ancestral home in a high range village while they are facing some difficulties on personal and career fronts. The village is not an idyllic one as is portrayed quite often in cinemas and as the title suggests (outsider), they are not that fond of Abin for no other particular reason.

Film's teaser reminded me of Enter the Void's opening credits and the trailer gave me the vibes of Sam Peckinpah's 1971 movie 'Straw Dogs'. It turned out to be almost like a remake of Straw Dogs, with all the major plot elements being there except for its infamous half-consent during the rape scene. Some of the camera angles surrounding Priya also reminded me of Aronofsky's mother! as well. These are what you expect from an Amal Neerad film and its success depends on how well it is placed in the domestic setting. I don't have a problem with it being a remake in terms of the plot structure as his films are never really about plot but solely on the making.


It is the village's moral policing, executed chiefly by its perverts, that welcomes the couple initially. Abin, boarding schooled and city-bred, is oblivious to the pervy nature of the village as he is predisposed to see the good in others initially by default. Priya, who has history in the village, is at pains to point this out to Abin but he doesn't realise until it's too late. As in Straw Dogs, the story arc around the husband's masculinity is also explored in the film in a convincing manner. The whole cast is excellent but the one who steals the show is Sharafudeen playing the villain character. It should be a turning point in his career. Little Swayamp and Sushin Shyam provides ample support with camera and music respectively, which are like always the chief highlights in an Amal Neerad film. It is his best work till date and should be watched on the best screen possible with Dolby fucking Atmos.

Rating: 4.25/5

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